Photos that you might have found down the back of your sofa are now big business!
In 2005, the American artist Richard Prince’s photograph of a photograph, entitled (Cowboy), was sold for $ 1, 248, 000.
Prince is certainly not the only contemporary artist to have worked with so-called “found photographs”—a loose term given to everything from discarded(丟棄的) prints discovered in a junk shop to old advertisements or amateur photographs from a stranger’s family album. The German artist Joachim Schmid, who believes “basically everything is worth looking at”, has gathered discarded photographs, postcards and newspaper images since 1982. In his on-going project, Archiv, he groups photographs of family life according to themes: people with dogs; teams; new cars; dinner with the family; and so on.
Like Schmid, the editors of several self-published art magazines also champion (捍衛) found photographs. One of them, called simply Found, was born one snowy night in Chicago, when Davy Rothbard returned to his car to find under his wiper(雨刷) an angry note intended for someone else: “Why’s your car HERE at HER place?” The note became the starting point for Rothbard’s addictive publication, which features found photographs sent in by readers, such as a poster discovered in your drawer.
The whole found-photograph phenomenon has raised some questions. Perhaps one of the most difficult is: can these images really be considered as art? And if so, whose art? Yet found photographs produced by artists, such as Richard Prince, may raise endless possibilities. What was the cowboy in Prince’s Untitled doing? Was he riding his horse hurriedly to meet someone? Or how did Prince create this photograph? It’s anyone’s guess. In addition, as we imagine the back-story to the people in the found photographs artists, like Schmid, have collated (整理), we also turn toward our own photographic albums. Why is memory so important to us? Why do we all seek to freeze in time the faces of our children, our parents, our lovers, and ourselves? Will they mean anything to anyone after we’ve gone?
In the absence of established facts, the vast collections of found photographs give our minds an opportunity to wander freely. That, above all, is why they are so fascinating.
【小題1】The first paragraph of the passage is used to _________.
| A．remind readers of found photographs |
| B．advise reader to start a new kind of business |
| C．ask readers to find photographs behind sofa |
| D．show readers the value of found photographs |
| A．the readers | B．the editors |
| C．the found photographs | D．the self-published magazines |
| A．memory of the past is very important to people |
| B．found photographs allow people to think freely |
| C．the back-story of found photographs is puzzling |
| D．the real value of found photographs is questionable |
| A．critical | B．doubtful | C．optimistic | D．satisfied |
小學生10分鐘口算測試100分系列答案科目：高中英語 來源： 題型：閱讀理解
A new weapon (武器) is on the way in the fight against smoking in Europe. Soon when smokers buy cigarettes they might see a shocking photo of a blackened lung or a cancer patient staring back at them from the packet.
Some boys may think of smoking as cool and sexy. Their friends won’t agree when they see their packets of cigarettes lying on the table. The European Union announced that it had chosen 42 photos that showed the damage cigarettes could do to the body, calling on member nations to put these pictures on packets to discourage smokers. To catch the attention of teenagers, the special packets warn of long-term medical dangers, like cancer. Short-term effects, like bad skin, are also on the list.
“The true face of smoking is disease, death and horror. That is the message we should send to the young,” said David Byrne, an EU health official. “Hopefully these pictures will shock students out of their love for cigarettes.”
The EU head office hoped the pictures would work better than current (當前) written warnings on packs of cigarettes. The warnings included “smoking kills” and “smoking can lead to a slow and painful death”.
So far, Ireland and Belgium have shown interest in the photos. Canada has used similar pictures and warnings on cigarette packs since 2000. The country has recently seen a fall in the number of smokers. According to studies, smoking is the single biggest cause of avoidable deaths in the EU. Every year more than 650,000 smokers die, more than one person a minute.
By saying “a new weapon is on the way”, the writer means the EU is going to have _____ .
A. the true face of smoking shown everywhere
B. shocking photos printed on cigarette packets
C. written warnings printed on the cigarette packs
D. pictures put up where cigarettes are sold
The pictures chosen by the EU are supposed to mainly work on _____ .
A. young smokers B. smokers in Ireland and Belgium
C. male smokers D. young smokers’ friends
What can we learn from the passage?
A. Canada has been the first to use the EU’s “weapon”.
B. Most smokers don’t quite believe the written warnings.
C. The new form of warning has already been proved to work.
D. Smoking has caused more deaths than anything else in the EU.
Which of the following would be the best title for the passage?
A. Smoking Is Cool And Sexy. B. A New Weapon to Fight Smoking.
C. Young Smokers in The EU. D. Deaths from Smoking.
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科目：高中英語 來源： 題型：閱讀理解
Photos that you might have found down the back of your sofa are now big business!
In 2005,the American artist Richard Prince’s photograph of a photograph,Untitled (Cowboy),was sold for $1 248 000.
Prince is certainly not the only contemporary artist to have worked with so-called “found photographs”—a loose term given to everything from discarded(丟棄的)prints discovered in a junk shop to old advertisements or amateur photographs from a stranger’s family album.The German artist Joachim Schmid,who believes “basically everything is worth looking at”,has gathered discarded photographs,postcards and newspaper images since 1982.In his on-going project,Archiv,he groups photographs of family life according to themes:people with dogs;teams;new cars;dinner with the family;and so on.
Like Schmid,the editors of several self-published art magazines also champion(捍衛)found photographs.One of them,called simply Found,was born one snowy night in Chicago,when Davy Rothbard returned to his car to find under his wiper(雨刷)an angry note intended for someone else:“Why’s your car HERE at HER place?”The note became the starting point for Rothbard’s addictive publication,which features found photographs sent in by readers,such as a poster discovered in your drawer.
The whole found-photograph phenomenon has raised some questions.Perhaps one of the most difficult is:can these images really be considered as art?And,if so,whose art?Yet found photographs produced by artists,such as Richard Prince,may raise endless possibilities.What was the cowboy in Prince’s Untitled doing?Was he riding his horse hurriedly to meet someone?Or how did Prince create this photograph?It’s anyone’s guess.In addition,as we imagine the back-story to the people in the found photographs artists,like Schmid,have collated(整理),we also turn toward our own photographic albums.Why is memory so important to us?Why do we all seek to freeze in time the faces of our children,our parents,our lovers,and ourselves?Will they mean anything to anyone after we’ve gone?
In the absence of established facts,the vast collections of found photographs give our minds an opportunity to wander freely.That,above all,is why they are so fascinating.
The first paragraph of the passage is used to_______.
A.remind readers of found photographs
B.advise readers to start a new kind of business
C.ask readers to find photographs behind sofas
D.show readers the value of found photographs
According to the passage,Joachim Schmid_______.
A.is fond of collecting family life photographs
B.found a complaining note under his car wiper
C.is working for several self-published art magazines
D.wondered at the artistic nature of found photographs
The underlined word “them”in Paragraph 4 refers to“_______”.
A.the readers
B.the editors
C.the found photographs
D.the self-published magazines
By asking a series of questions in Paragraph 5,the author mainly intends to indicate that_______.
A.memory of the past is very important to people
B.found photographs allow people to think freely
C.the back-story of found photographs is puzzling
D.the real value of found photographs is questionable
The author’s attitude toward found photographs can be described as_______.
A.critical B.doubtful
C.optimistic D.satisfied
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科目：高中英語 來源：2012-2013學年云南德宏州芒市中學高二下學期期中考試英語卷（帶解析） 題型：閱讀理解
Photos that you might have found down the back of your sofa are now big business!
In 2005, the American artist Richard Prince’s photograph of a photograph, Untitled (Cowboy）, was sold for $ 1, 248, 000.
Prince is certainly not the only contemporary artist to have worked with so-called “found photographs”—a loose term given to everything from discarded(丟棄的） prints discovered in a junk shop to old advertisements or amateur photographs from a stranger’s family album. The German artist Joachim Schmid, who believes “basically everything is worth looking at”, has gathered discarded photographs, postcards and newspaper images since 1982. In his on-going project, Archiv, he groups photographs of family life according to themes: people with dogs; teams; new cars; dinner with the family; and so on.
Like Schmid, the editors of several self-published art magazines also champion (捍衛) found photographs. One of them, called simply Found, was born one snowy night in Chicago, when Davy Rothbard returned to his car to find under his wiper(雨刷） an angry note intended for some else: “Why’s your car HERE at HER place?” The note became the starting point for Rothbard’s addictive publication, which features found photographs sent in by readers, such a poster discovered in our drawer.
The whole found-photograph phenomenon has raised some questions. Perhaps one of the most difficult is: can these images really be considered as art? And if so, whose art? Yet found photographs produced by artists, such Richard Prince, may riding his horse hurriedly to meet someone? Or how did Prince create this photograph? It's anyone's guess. In addition, as we imagine the back-story to the people in the found photographs artists, like Schmid, have collated (整理）, we also turn toward our own photographic albums. Why is memory so important to us? Why do we all seek to freeze in time the faces of our children, our parents, our lovers, and ourselves? Will they mean anything to anyone after we've gone?
In the absence of established facts, the vast collections of found photographs give our minds an opportunity to wander freely. That, above all, is why they are so fascinating.
【小題1】The first paragraph of the passage is used to _________.
| A．remind readers of found photographs |
| B．advise reader to start a new kind of business |
| C．ask readers to find photographs behind sofa |
| D．show readers the value of found photographs |
| A．is fond of collecting family life photographs |
| B．found a complaining not under his car wiper |
| C．is working for several self-published magazines |
| D．wondered at the artistic nature of found photographs |
| A．the readers | B．the editors |
| C．the found photographs | D．the self-published magazines |
| A．memory of the past is very important to people |
| B．found photographs allow people to think freely |
| C．the back-story of found photographs is puzzling |
| D．the real value of found photographs is questionable |
| A．critical | B．doubtful | C．optimistic | D．satisfied |
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科目：高中英語 來源：2015屆四川省高一下學期期中考試英語試卷（解析版） 題型：閱讀理解
On the first day of school I brought my camera to school. I gave the students a piece of 8 ×11 cardboard(紙板), and asked them to write their names on both sides. As they finished, I asked them to get into groups of three to four students and took photographs of them holding their name cards.
After school, I developed the film and printed two sets of photos. That evening, I started to match the names with the faces. I kept one set of pictures at home for about a week so that I could review their names each night. On the second day of school, I put up the other set of photos as a bulletin board (公布欄), with a title such as "Presenting Room 108, ..."
The kids loved it! After I had learned all of their names I brought the second set back to school and stuck them onto an 8 ×11 sheet of paper. I placed it in the classroom for other teachers.
The cardboard name cards that were made on the first day were collected and put on a shelf. From time to time, they were given back to the students and placed on their desks so that guests or supply teachers (代課老師) could identify all of the students.
I’ve been doing this with my grade 7 students for the last nine years and they liked it. It’s fun to bring the photos out again at the end of the school year to see how much they have all changed in ten months.
1.The cardboards were used to ______.
A．play some kind of game B．decorate the classroom
C．identify the students D．print the photos on
2.The writer of the passage might be a ______.
A．head teacher B．monitor C．photographer D．supply teacher
3.Why did the writer leave the second set of the photos at home?
A．To memorize the students’ names at home. B．To make cardboard name cards for supply teachers.
C．To make a bulletin board in the classroom. D．To match the students’ names with their faces
4.Which of the following is TRUE according to the passage?
A．The students didn’t have to use the cardboard name cards to identify each other.
B．Other teachers couldn’t identify the students without the cardboard name cards.
C．The writer kept the cardboard name cards as a souvenir for nine years.
D．The guests will know the students’ names by reading the cardboard name cards.
5.The passage mainly tells us ______.
A．a method of identifying students B．a method of decorating classrooms
C．the development of photography D．the importance of cardboard name cards
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科目：高中英語 來源：2014屆云南德宏州芒市高二下學期期中考試英語卷（解析版） 題型：閱讀理解
Photos that you might have found down the back of your sofa are now big business!
In 2005, the American artist Richard Prince’s photograph of a photograph, Untitled (Cowboy）, was sold for $ 1, 248, 000.
Prince is certainly not the only contemporary artist to have worked with so-called “found photographs”—a loose term given to everything from discarded(丟棄的） prints discovered in a junk shop to old advertisements or amateur photographs from a stranger’s family album. The German artist Joachim Schmid, who believes “basically everything is worth looking at”, has gathered discarded photographs, postcards and newspaper images since 1982. In his on-going project, Archiv, he groups photographs of family life according to themes: people with dogs; teams; new cars; dinner with the family; and so on.
Like Schmid, the editors of several self-published art magazines also champion (捍衛) found photographs. One of them, called simply Found, was born one snowy night in Chicago, when Davy Rothbard returned to his car to find under his wiper(雨刷） an angry note intended for some else: “Why’s your car HERE at HER place?” The note became the starting point for Rothbard’s addictive publication, which features found photographs sent in by readers, such a poster discovered in our drawer.
The whole found-photograph phenomenon has raised some questions. Perhaps one of the most difficult is: can these images really be considered as art? And if so, whose art? Yet found photographs produced by artists, such Richard Prince, may riding his horse hurriedly to meet someone? Or how did Prince create this photograph? It's anyone's guess. In addition, as we imagine the back-story to the people in the found photographs artists, like Schmid, have collated (整理）, we also turn toward our own photographic albums. Why is memory so important to us? Why do we all seek to freeze in time the faces of our children, our parents, our lovers, and ourselves? Will they mean anything to anyone after we've gone?
In the absence of established facts, the vast collections of found photographs give our minds an opportunity to wander freely. That, above all, is why they are so fascinating.
1.The first paragraph of the passage is used to _________.
A．remind readers of found photographs
B．advise reader to start a new kind of business
C．ask readers to find photographs behind sofa
D．show readers the value of found photographs
2.According to the passage, Joachim Schmid _________.
A．is fond of collecting family life photographs
B．found a complaining not under his car wiper
C．is working for several self-published magazines
D．wondered at the artistic nature of found photographs
3.The underlined word "them" in Para 4 refers to __________.
A．the readers B．the editors
C．the found photographs D．the self-published magazines
4.By asking a series of questions in Para 5, the author mainly intends to indicate that ________.
A．memory of the past is very important to people
B．found photographs allow people to think freely
C．the back-story of found photographs is puzzling
D．the real value of found photographs is questionable
5.The author’s attitude towards found photographs can be described as _________.
A．critical B．doubtful C．optimistic D．satisfied
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